MASTERING THE BASS

MASTERING THE BASS
Comprehensive study on the artistry of being a bassist.
To become a master requires a total devotion to learning that craft. A master is someone who has strong, consistent skills and executes them perfectly with only the effort required to do so. This mastery requires experience and practice. When the question is asked, 'how much should I practice?' the correct answer is, 'until you have mastered what you're working on.' This book is designed to give the student a thorough, gradual study of obtainable musical goals including a strong rhythmic foundation upon which bass playing must be built. That is the reason for the great number of short repeated grooves and vamps as well as a myriad of open string and first position studies. The intention is not to limit the player to the low positions but to insure the mastery of the bass register as well as all other registers of the instrument and introduce a wide range of musical examples. Some music requires an entire lifetime of practice. Being a Master does not mean that the Master need not practice anymore. One should always try to improve and learn new music. This is the example true Masters set for others to follow. When a musical example, (simple or difficult), is mastered by a student, there is a tremendous sense of satisfaction and accomplishment. With each mastered piece comes more fulfillment. Good luck, work hard and have fun mastering the bass !
Our PriceUS$29.95
CodeMB025
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To become a master requires a total devotion to learning that craft. A master is someone who has strong, consistent skills and executes them perfectly with only the effort required to do so. This mastery requires experience and practice. When the question is asked, 'how much should I practice?' the correct answer is, 'until you have mastered what you're working on.' This book is designed to give the student a thorough, gradual study of obtainable musical goals including a strong rhythmic foundation upon which bass playing must be built. That is the reason for the great number of short repeated grooves and vamps as well as a myriad of open string and first position studies. The intention is not to limit the player to the low positions but to insure the mastery of the bass register as well as all other registers of the instrument and introduce a wide range of musical examples. Some music requires an entire lifetime of practice. Being a Master does not mean that the Master need not practice anymore. One should always try to improve and learn new music. This is the example true Masters set for others to follow. When a musical example, (simple or difficult), is mastered by a student, there is a tremendous sense of satisfaction and accomplishment. With each mastered piece comes more fulfillment. Good luck, work hard and have fun mastering the bass !

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