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FREE STUFF - EDUCATIONAL/LESSONS

Improve your skills (theory, dexterity, ear training, etc.) using these free resources. Below is our growing collection of lessons several artists and authors have contributed, all available for download at no cost. A big thanks to everyone who makes this possible.

If you have something you would like to contribute or share, please let us know. You get full credit, plus the opportunity to assist your brothers and sisters in bass.

Jaime David Vazquez
NEWEST LESSONS ADDED: BASS TIPS BY BASSBOOKS.COM & JAIME DAVID VAZQUEZ
BASS TIPS:
The Bass Clef
Jaime lays out a basic introduction to the notes of the bass clef.
BASS TIPS:
Alternate Tunings
Jaime offers several common alternatives to EADG you can use to support your technique and change tonal colors.
BASS TIPS:
Chord Inversions
Jaime shows how to add to your harmonic options by raising a chord's lowest note up an octave: in Inversion.
BASS TIPS:
Suspended Chords
Jaime examines how to build and use Suspended Chords, which can add tension and release to your progressions.
BASS TIPS:
Tonal Colors, Part II
The Minor Sound: Jaime explains the intervals of the natural minor scale.
BASS TIPS:
Tonal Colors, Part I
Sounds are colors. Here's a look at how notes and the intervals between them create a specific effect.
BASS TIPS:
Silence and Sound
Just as important as the notes you play, the spaces between them -- the rests -- give shape and feeling to your music.
BASS TIPS:
The Shuffle Feel
When we're talking about playing a shuffle feel, all we have to do is think about the subdivision of the basic pulse into groups of three, called triplets.
BASS TIPS:
Sevenths, Part II
A seventh chord is the combination of a triad and an interval of a seventh. Jaime David Vazquez will teach you seven types of seventh chords.
BASS TIPS:
Sevenths, Part I
A seventh chord is the combination of a triad and an interval of a seventh. Jaime David Vazquez will teach you seven types of seventh chords.
BASS TIPS:
Triads
The basic chords are known as triads. They are created with a root, third, and fifth. There are four kinds of triads and they are found in the Major (or diatonic) scale.
BASS TIPS:
Double-Stops
on the Bass
What is a double-stop? A double-stop is when you play two notes at the same time. You can play a double-stop on adjacent strings or on nonadjacent string.
BASS TIPS:
The Hammer-On &
The Pull-Off
When we're playing our basses, there are a lot of techniques that we can use, but there are two basic techniques that are very useful for grooving and soloing. These techniques are the hammer-on and the pull-off.
BASS TIPS:
Scale Shapes On The Fingerboard
For every scale and mode there are a variety of shapes on the fingerboard. Shapes are patterns and is very important to know and understand every shape and their fingering.
BASS TIPS:
Barring
Barring is a common technique where one finger lays flat and press down across two or more strings in the same fret. This technique is very good for the concept of economy of motion.
BASS TIPS:
Mastering The Double
Thumb Techninque - Part III
Welcome to the last part of the series of Bass Tips for Mastering The Double Thumb Technique. During the past few months we were dedicated to work with the right hand and the left hand for developing the sound and the application of the technique with the basic rhythmic figures. Finally, I have to say that there are a lot of possibilities for the application of the technique, so feel free to experiment and try all these ideas.
BASS TIPS:
Mastering The Double
Thumb Techninque - Part III
Welcome to the last part of the series of Bass Tips for Mastering The Double Thumb Technique. During the past few months we were dedicated to work with the right hand and the left hand for developing the sound and the application of the technique with the basic rhythmic figures. Finally, I have to say that there are a lot of possibilities for the application of the technique, so feel free to experiment and try all these ideas.
BASS TIPS:
Mastering The Double
Thumb Techninque - Part II
Welcome to the second part of the series of Bass Tips for Mastering The Double Thumb Technique. Last time, We were dedicated to work with the right hand, developing the sound and the application of the technique with the basic rhythmic figures. This time we will focus on the left hand. 
BASS TIPS:
Mastering The Double Thumb Technique - Part I 
Do YOU wanna play the double thumb technique like Victor Wooten and Marcus Miller?
Well, here I have some basic and easy to understand exercises for developing an accurate performance of the popular technique.
BASS TIPS:
Pedal Tones
The pedal tone also known as pedal note and pedal point is when you play a stationary or fixed single note(root/bass note) over chord changes. This form of playing is used in all styles of music to create tension. 
BASS TIPS:
3/4 Swing
All swing music is not written in 4/4 time, sometimes it is written in 3/4 time. Some examples of famous jazz standards in 3/4 time include "Bluesette" and "Footprints".
BASS TIPS:
Playing a 2 Feel
When you are playing swing, you must know the '2 feel' interpretation. This style of playing is very used in jazz standards. So, go ahead! Let's swing with a '2 feel'.
BASS TIPS: Practice All What I'm talking about is to play a chord and then play a phrase, a melody, a riff, a motive, a lick, etc., using the chord tones, the scales and the modes. Of course, you can add the chromaticism and all the techniques that you want to use. The possibilities are endless.
Moving Around The Neck Do you want to play out of the box? Issues with the fretboard? Problems with your fingering?
Don't worry! You can work it out by using the slide techniques.
String Skipping: Warming Up! A very good way to practice your string skipping technique is by warming up with the scales and modes. Why? Because you will get used to the application of the technique in a very practical way. The possibilities are endless.
The Blues Composite Scale If you are a jazz or a blues bass player you must know the blues composite scale. The possibilities of the scale are amazing, it doesn't matter if you're grooving or soloing. The scale sounds great and it will give you a lot of colors and flavor to your bass licks, fills, grooves, etc. Get your bass and check it out!
Riffin' A Solo Welcome to Bass Tips!
A riff is a short melodic or rhythmic phrase that it is repeated. A riff can be a chord pattern too. You can use a riff for an accompaniment and for soloing, especially the one that it is repeated in improvisation. Riffing is a very common approach for solos. It can be applied to all styles of music. 
Adapting Your Scale
and Mode Patterns for Soloing
When you are improvising, a good way to create and establish a vocabulary is by adapting the melodies, phrases, etc., to all scales and modes. For that, you must take into account the intervals, the sequence of the notes and the amount of notes of the scale or mode. You will notice that there is a pattern to follow in the process of adaptation. 
Tips For The Bebop Scale If you are a bass player who likes to do bass solos and you are into jazz improvisation, you must know that the Bebop Scale, also known as the Bebop Dominant Scale, is essential to define the jazz sound in your playing.  It has been used by jazz musicians like Charlie Parker, Joe Pass, Bud Powell, etc.  There are other Bebop Scales, these scales are the Bebop Major, Bebop Minor, etc.  But the Bebop Dominant Scale is the most common.  Let's find out!

NEWEST LESSONS ADDED: MIKE OVERLY - INTRODUCTION TO TONE NOTE MUSIC METHOD FOR BASS VOL. 1
This collection of lessons contributed by Mike Overly, author of Bass EncycloMedia, it's play-along audio CD, Bass Fretboard Facts and the Fretboard Flashcards for 4, 5 & 6 String Bass.
Teaching Bass at Home Teaching Bass at Home   Mike Overly, GRAMMY® Nominated Music Educator and author of Bass EncycloMedia suggests that before your child asks you to teach them to play bass, be sure to read this article so you know what to say and do.
Bass Clef Note Reading Mike Overly, GRAMMY®-nominated Music Educator and author of Bass EncycloMedia introduces you to the essential elements of reading Staff Notation in the Bass Clef.
Intro to the Tone Note
Music Method for Bass
Intro to the Tone Note® Music Method for Bass ~ Mike Overly, GRAMMY®-nominated Music Educator and author of Bass EncycloMedia introduces a 21st Century revolution in music and bass instruction that will have a beginner of any age playing music on the bass quickly and developing technical skill effortlessly.
12 Sounds, 21 Symbols and 15 Keys Mike Overly, author of Bass EncycloMedia explains why there are only 15 “traditional” major scales, in 15 major keys, with 15 major key signatures.
All The Chords I Needed To Know, I Learned At My First Lesson Mike Overly, author of Bass EncycloMedia enfolds five movable major chord forms into one holistic fretboard.
Bass Harmonic Numerics Mike Overly, author of Bass EncycloMedia presents important insights into the creation of "harmony numerals" which guarantees harmonic success in all keys.
Bass Patterns:
In and Out of Sync
Mike Overly, author of Bass EncycloMedia, delivers 12 essential 12 bar bass patterns - plus a bonus bass line from the genius of Ray Charles.
Bassists or Bass Player? Mike Overly, author of Bass EncycloMedia presents an incomplete alphabetical listing of influential rock, metal, pop, fusion, Latin, funk, punk, country, reggae, blues, and jazz musicians of both double bass and electric bass.
Bowling for Rhythm:
the 7-10 Split
In this lesson, Mike Overly, author of Bass EncycloMedia compares splitting eighth notes with a quarter note to Ray Charles picking-up a 7-10 split in bowling!
Do Re Mi Mike Overly, author of Bass EncycloMedia presents Solfege and explains what Julie Andrews, Guido of Arezzo, Giovanni Battista Doni, Isaac Newton and Sancte Iohannes have to do with its development.
First Inversion
Hit Songs
Mike Overly, author of Bass EncycloMedia explores first inversion harmony and applies it to Lynyrd Skynyrd, Eric Clapton, Steely Dan, and many others.
Glossary of Music, Bass and Musician Mike Overly, author of Bass EncycloMedia, defines words and terms that every musician playing bass should know.
Harmony Rhythm’s Fatal Flaw Part 1 Mike Overly, author of Bass EncycloMedia explains the problem of Meter Slashes and presents the solution!
Harmony
Symbolism
Mike Overly, author of Bass EncycloMedia reveals the Nine Essential Triads based on Three Types.
Hit Song Harmony
and Progressions

Mike Overly, author of Bass EncycloMedia recaps the development of harmony from 1722 to the present and then updates this knowledge so that you can play 18 Hit Songs.

How to Make a Short Song Long Mike Overly, author of Bass EncycloMedia introduces music's most common "signs of direction" - the repeat signs.
Improve Your Improvisation Mike Overly, author of Bass EncycloMedia defines improvisation and presents three types of chords, arpeggios and scales from which to choose.
Interstellar Music Mike Overly, author of Bass EncycloMedia travels deep into outer space to bring you a special extraterrestrial Golden Record!
Learn Bass in a Flash Mike Overly, author of Bass EncycloMedia reveals the unique differences and the many benefits to be gained from using Bass Fretboard Flashcards from 12 Tone Music Publishing.
Learning is a Process Mike Overly, author of Bass EncycloMedia, invites you to read a list of student questions that will lead you from the 'tempo of thought' to the 'tempo of performance'.
Major Scale Harmony Spelling Mike Overly, author of Bass EncycloMedia shows how to spell 49 different harmonies with only seven major scale letters.
Mother Nature + Father Time = Rhythm Mike Overly, author of Bass EncycloMedia shows what happens when Mother Nature and Father Time get together.
Music Math:
2 + 2 = 3!
Mike Overly, author of Bass EncycloMedia explores the mysteries of "music math" and discovers the basis of all harmony - nine triads.
Natural Fun Outside the Box Mike Overly, author of Bass EncycloMedia explains how to play in "extended" position on a 4, 5 or 6 string bass.
Nature of the Sign Mike Overly, author of Bass EncycloMedia brings clarity and simplicity to understanding the difference between the certainty of key signature and the probability of key.
Parabola of 4th and 5th Intervals Mike Overly, author of Bass EncycloMedia “cleans the slate” and presents a new view of the incorrectly named “circle” of 4ths and 5ths.
Sign Before Symbol Mike Overly, author of Bass EncycloMedia explores the similarities and differences between sign and symbol so that you may play with speed and clarity.
The Curved
Line Sign
Mike Overly, GRAMMY®-nominated Music Educator and author of Bass EncycloMedia
reveals the origin and evolution of the Ligature: now known as the Tie, the Slur and the Phrase.
The Process of Progression Mike Overly, author of Bass EncycloMedia asks: What Type of Student Are You?
Tonal Center Modulation Mike Overly, author of Bass EncycloMedia teaches you to identify a song’s “changing keys” by the harmony progression.
The Whole Truth About Bass TAB Mike Overly, author of Bass EncycloMedia clarifies TAB notation and then illustrates its complete structure.
The Z Angle Unison Connector Mike Overly, author of Bass EncycloMedia reveals 7 one octave major scale "forms" and then shows how to connect forms to create two octave major scales on the bass.
What a Coincidence: Unison Tuning Mike Overly, author of Bass EncycloMedia unfolds the absolute, perfect and relative tuning process of the 4 string bass.

JOHN FALSTROM
This collection of lessons contributed by John Falstrom, author of EADG 4.
EADG 4: Part 19
The Fretless Bass
John Falstrom, author of EADG 4, shares his insights into the special tones and playing quality of the fretless bass.
EADG 4: Part 1A
Fretboard and
Technique
John Falstrom, author of EADG 4, extends his introduction to the instrument by inviting you to play to a beat to help memorize notes.
EADG 4: Part 11
Acoustic Bass
John Falstrom, author of EADG 4, shares his insights into the "hidden treasure" that is a bass guitar with air in it: the acoustic bass.
EADG 4: Part 1
Bass Fundamentals
John Falstrom, author of EADG 4, starts from the beginning, introducing the instrument and the right way to approach it.
EADG 4: Part 18
Analyzing Songs
John Falstrom, author of EADG 4, shows how to analyze a song by applying various music-theory principles for the bass guitar.
EADG 4: Part 5
Modal System
for Bass, Part 1
John Falstrom, author of EADG 4, discusses the seven modes and how they are used in creating bass parts.
EADG 4: Part 17
Practice Schedule
John Falstrom, author of EADG 4, discusses dividing your practice time into four tried and true categories.
EADG 4: Part 25
The Art of
Improvisation
John Falstrom, author of EADG 4, discusses the art of improvisation and how it can improve your bass playing.
EADG 4: Part 21
Playing the Melody
as a Bassist
John Falstrom, author of EADG 4,  demonstrates using the acoustic bass to play melody lines in a song. He also demonstrates chord strumming and arpeggios.
EADG 4: Part 16
Different Ways of
Playing the Scales
John Falstrom, author of EADG 4,  discusses and demonstrates various patterns to learn and practice scales. This video accompanies pages 92 through 94A of the textbook EADG4 Theory Textbook for Bass Guitar.
EADG 4: Part 31
Radar Love and the
Danelectro Longhorn Bass
John Falstrom, author of EADG 4, discusses and demonstrates the tone, function, and use of the Danelectro Longhorn Short Scale Bass. John demonstrates the tone of the bass as he plays along with Radar Love by Golden Earring.
EADG 4: Part 29
Breaking the Law and the Fender Precision Bass
John Falstrom, author of EADG 4, demonstrates the tone and features of the Fender Precision Bass to the Judas Priest hit 'Breaking the Law'. John then discusses and gives insight into this essential piece of musical equipment
EADG 4: Part 37
Building a Bass Line
John Falstrom, author of EADG 4, discusses techniques from his textbook on how to build a bassline. John works with the key of D major to demonstrate various techniques.
EADG 4: Part 27
Easy Livin' and the
Fender Telecaster Bass
John Falstrom, author of EADG 4, demonstrates the tones of the Telecaster Bass guitar to the classic Uriah Heep song Easy Livin'. John then shares his insights into what makes this guitar so important to a band's rhythm section.
EADG 4: Part 36
The Chromatic Scale
John Falstrom, author of EADG 4, demonstrates and discusses the Chromatic Scale.
EADG 4: Part 24
Highway Star and the Rickenbacker Bass
John Falstrom, author of EADG 4, plays the bass line from the Deep Purple Classic Highway Star. John then explains the Rickenbacker Bass Guitar and the tone that it brings to rock music.
EADG 4: Part 22A
The Blues - Blues Rock
John Falstrom, author of EADG 4, discusses and demonstrates the blues scale and blues rock chord progression. Using the key of E major, John explains the 'blue notes" and music theory.
Bass Guitar
Fretboard
John Falstrom, author of EADG 4, and Bob Wille provide a tremendous Fretboard chart (pdf format) that they created last month. Enjoy!
7th Chords in Major Keys John Falstrom, author of EADG 4, provides an illustrated explanation of the seven 7th chords in all 15 major keys; circle of fifths order. Also includes the "assigned" mode that gets played against each of the seven 7th chords.for memorizing the notes on the Bass Guitar.
7th Chords in Major Keys (part 2) John Falstrom, author of EADG 4, provides an explanation and breakdown of the 7th chords in chord, scale and arpeggio format.
7th Chords in Natural Minor Keys John Falstrom, author of EADG 4, provides an illustrated explanation of the Seventh Chords In Natural Minor Keys.
Bass Guitars John Falstrom, author of EADG 4, provides shares insight to the importance of having a versatile and varied collection of Bass guitars.
Classic Chord Chart John Falstrom, author of EADG 4, provides a guideline to understanding and making it easier to read/create Bass lines from the chord symbols on a chart.
Chromatic Analysis John Falstrom, author of EADG 4, provides a Circle of Fifths chart of all 15 major scales (keys) and the note relationships to the Root of the twelve (12) different notes in music.
Different Ways of Playing John Falstrom, author of EADG 4, provides scale and mode exercices that should be be played and memorized in specific note patterns.
Different Ways of Playing Part II John Falstrom, author of EADG 4, provides part II of scale and mode exercices that should be be played and memorized in specific note patterns.
Essential Insights For The Bass Guitarist John Falstrom, author of EADG 4, provides essential insights for the Bass guitarist.
Four String Exercise John Falstrom, author of EADG 4, provides various finger position excecises designed to devlop dexterity in your fretboad hand.
Key Signatures John Falstrom, author of EADG 4, provides this tutorial on learning Key Signatures.
Memorizing The Notes On The Bass Guitar John Falstrom, author of EADG 4, provides a great lesson for memorizing the notes on the Bass Guitar.
Musical
Terms
A 2 page explanation of Musical Terms for the Bass Guitar by John Falstrom
Practice Schedule John Falstrom, author of EADG 4, provides a guideline to managing your practicing time into these four "tried and true" categories.
The 12 Bar Blues
Standard Form
John Falstrom, author of EADG 4, provides a explanation and breakdown of the standard 12 Bar Blues.
The 12 Bar
Jazz Blues Form
John Falstrom, author of EADG 4, provides a explanation and breakdown of the 12 Bar Blues in Jazz form.
The Blues Scale John Falstrom, author of EADG 4, provides a explanation and breakdown of the Blues Scale.
The Blues Scale With Added Flat 5th Note John Falstrom, author of EADG 4, provides a explanation and breakdown of the Blues Scale.
The Harmonic Minor Scales John Falstrom, author of EADG 4, provides an explanation and breakdown of the Harmonic Minor scales.
The Modal System John Falstrom, author of EADG 4, provides an explanation and breakdown of the The Modal System.
The Natural Minor Scales John Falstrom, author of EADG 4, provides a explanation and breakdown of the Natural Minor Scales.
The Pentatonic Scale John Falstrom, author of EADG 4, provides a explanation and breakdown of the Pentatonic Scale.
The Vertical and Horizontal Approaches John Falstrom, author of EADG 4, explains the two ways to approach the chord changes in a song: "The Vertical Approach" and "The Horizontal Approach."
Tips Of The Moment John Falstrom, author of EADG 4, provides some timeless and priceless advise in the lesson.

JERZY DROZD
The Ultimate Guide To The Perfect Bass Setup
The Ultimate Guide
To Perfect Bass Setup
Compliments Jerzy Drozd (Jerzy Drozd Basses).
It covers exactly what it says:
Everything You Always Wanted To Learn and Know About Perfect Bass Setup

Here is what you will learn with this Guide:
- General cleaning procedures of fretboard, bridge, electronics
- Correct string installation
- Setup techniques for neck, bridge and pickup adjustment
- Advanced Setup techniques for necks with double truss rod system
- and more...

Swing on over to their website to get your FREE copy!
(newsletter signup is required)


CLIFF ENGEL
This collection of lessons contributed by Cliff Engel, the driving force behind the IIB (The International Institute Of Bassists).
Targeting Chord Tones With Approach Notes A 22 page lesson contributed by Cliff Engel, the driving force behind the IIB (The International Institute Of Bassists) that includes a collection of improvisation/soloing techniques.

* Beginning April 6 - The IIB launches Online Bass Courses.
For complete details, click here and/or email Cliff directly for additional information.
Sight Reading For Bass A 52 page lesson(!) working through a collection of rhythm studies exercises comprised of eight and sixteenth note combination in an effort to increase proficiency of your rhythmic recognition skills when sight reading standard notation for Bass. Since the principal goal of this lesson is to improve rhythmic acuity as it pertains to sight reading, these rhythm studies exercises have been notated using rhythmic notation. This is the type of notation that a drummer would be required to read in a percussion-related chart.
Targeting Chord Tones With Approach Notes A 22 page lesson contributed by Cliff Engel, the driving force behind the IIB (The International Institute Of Bassists) that includes a collection of improvisation/soloing techniques.

* Beginning May 4 - The IIB launches Online Bass Courses.
For complete details, click here and/or email Cliff directly for additional information.

SCOTT HUBBELL
This collection of lessons contributed by Scott Hubbell, author of Fretboard Alchemy and Fretboard Arcanum.
Alcanum Scott Hubbell, author of Fretboard Alchemy and Fretboard Arcanum provides an example of how to combine concepts from both of his books. Includes pdf transcription and MP3 performance! Click to download both in 1 zip file.
Arpeggio Workout Scott Hubbell, author of Fretboard Alchemy and Fretboard Arcanum provides an Apreggio Workout, that provides great exercise on dexterity, meter and dynamics of attack.

BYRON SANTOS
This collection of lessons contributed by Byron Santo, author of Picking Hand Grimoirium & Pentatonic Note Sequence Grimorium.
Learning The Extended Range Bass Guitar Neck Byron Santo, author of Picking Hand Grimoirium, provides a 6 page lesson, covering the Extended Range Bass Neck chart and applies the key of C-Major to it.

TODD JOHNSON
This collection of lessons contributed by Todd Johnson, the man behind the Technique Builders, Walking Bass Line Module System Vol. 1: Triad Module System & Walking Bass Line Module System Vol. 2: Scale Modules DVDs.
Modal Bass Lines Packet From Todd Johnson, a 4-page pdf look at a style of jazz known as modal tunes. Modal tunes are songs built on one or two chord changes that last at least eight bars each. The example we’ll use in our study is the 1959 Miles Davis composition
entitled So What.

MIKE CORNELISON
This collection of lessons contributed by Mike Cornelison, author of Classical Masterpieces Vol. I & Vol. II, Christmas Classis For Solo Bass, Arpeggio Woodshedding & The Ultimate Books of Jaco.
The Diminished Chord
and Scale
Mike Cornelison explains and analyzes the Diminished Chord and Scale.
Walkin' the F Blues Mike Cornelison provides 8 F Blues 12 bar examples, each one using a different approach.
Third Position Sight Reading Study Mike Cornelison provides a great lesson on the four steps you can go through to put yourself "into position" to nail a piece of music the very first time you see it.

IN THE SPOTLIGHT

GROOVING WITH HYBRID TECHNIQUES
GROOVING WITH
HYBRID TECHNIQUES


Reviewing GROOVING WITH HYBRID TECHNIQUES, Bass Player magazine asks, "Ready to refine your various techniques and bring them all together for something original?" A really great book.

BOOKSELLER'S CHOICE

BASS ENCYCLOMEDIA
BASS
ENCYCLOMEDIA

THE SWING OF THE LATIN BASS
THE SWING OF
THE LATIN BASS

EXPOSED: SOLO MUSIC FOR BASS
EXPOSED:
SOLO MUSIC FOR
UNACCOMPANIED
ELECTRIC BASS
-EBOOK/PDF VERSION-

THE FOUR-FRET CONCEPT
THE FOUR-FRET
CONCEPT
-EBOOK/PDF VERSION-
THE MOST BEAUTIFUL HYMNS
THE MOST
BEAUTIFUL HYMNS
-EBOOK/PDF-


DIY ELECTRIC BASS
DIY ELECTRIC
BASS
CRACKING THE DETROIT CODE
CRACKING THE
DETROIT CODE
-ONLINE COURSE-


SIGHT READING FOR THE BASS
SIGHT READING
FOR THE BASS
BERRY OAKLEY BASS TRANSCRIPTIONS
BERRY OAKLEY
BASS
TRANSCRIPTIONS
-EBOOK/PDF-


HEARING BASS LINES
HEARING
BASS LINES,
COMPLETE
BUNDLE
-EBOOK/PDF-

THE RICKENBACKER ELECTRIC BASS
RICKENBACKER
ELECTRIC BASS


HOFNER BEATLE BASS
HOFNER VIOLIN
BEATLE BASS

THE BEST OF YES FOR BASS
THE BEST OF
YES FOR BASS

JAMES BROWN: BASS PLAY-ALONG
JAMES BROWN:
BASS PLAY-ALONG
MILES DAVIS: KIND OF BLUE
MILES DAVIS:
KIND OF BLUE

STEVE BAILEY'S FRETLESS BASS
STEVE BAILEY'S
FRETLESS BASS
TODD JOHNSON ELECTRIC BASS TECHNIQUE BUILDERS
TODD JOHNSON
ELECTRIC BASS
TECHNIQUE
BUILDERS


THE COUCH POTATO BASS WORKOUT
THE COUCH
POTATO BASS
WORKOUT
ABBEY ROAD TO ZIGGY STARDUST
ABBEY ROAD
TO
ZIGGY STARDUST

NATHAN EAST: THE BUSINESS OF BASS
NATHAN EAST:
THE BUSINESS
OF BASS
-DVD-


THE JOHN ENTWISTLE BASS BOOK
THE
JOHN ENTWISTLE
BASS BOOK

ADVANCED STUDIES FOR BASS GUITAR
ADVANCED
STUDIES FOR
BASS GUITAR

SLAP IT!
SLAP IT!
-ONLINE COURSE-

MOTOWN BASS CLASSICS
MOTOWN
BASS CLASSICS
GUNS N' ROSES FOR BASS
GUNS N' ROSES
FOR BASS
CHARLIE PARKER FOR BASS
CHARLIE PARKER
FOR BASS

GROOVE 101
GROOVE 101
-EBOOK/PDF VERSION-

MUSICIANSHIP FOR THE CONTEMPORARY BASSIST
MUSICIANSHIP
FOR THE
CONTEMPORARY
BASSIST

SLAP 101
SLAP 101
-EBOOK/PDF VERSION-

INDIAN BASS: 72 RAGAS
INDIAN BASS:
72 RAGAS
-EBOOK/PDF-


TECHNIQUE 101
TECHNIQUE 101
-EBOOK/PDF VERSION-

BEGINNING FUNK BASS
BEGINNING
FUNK BASS
-DVD-

25 ESSENTIAL ROCK BASS CLASSICS
25 ESSENTIAL
ROCK BASS
CLASSICS

NIRVANA: THE BASS GUITAR COLLECTION
NIRVANA:
THE BASS GUITAR
COLLECTION
JACO PASTORIUS
JACO
PASTORIUS

THE BEST OF VICTOR WOOTEN
THE BEST OF
VICTOR WOOTEN

WALKING BASSLINES
WALKING BASSLINES
-EBOOK/PDF VERSION-

BEYOND BASSLINES: FROM BACK TO BRAHMS
BEYOND
BASSLINES: FROM
BACH TO BRAHMS
-EBOOK/PDF VERSION

THE BEATLES: 1967-1970
THE BEATLES:
1967-1970


STANLEY CLARKE COLLECTION
STANLEY CLARKE
COLLECTION
EADG 4
EADG 4

BACH CELLO SUITES FOR ELECTRIC GUITAR
BACH CELLO
SUITES FOR
ELECTRIC BASS

101 BASS TIPS
101 BASS TIPS

SLAP BASS LINES
SLAP BASS LINES
RED HOT CHILI PEPPERS -- GREATEST HITS
RED HOT
CHILI PEPPERS:
GREATEST HITS


BUNNY BRUNEL'S POWER BASS: SOLOING SECRETS
BUNNY BRUNEL'S
POWER BASS:
SOLOING SECRETS

100 BLUES LESSONS
100 BLUES
LESSONS

100JAZZ LESSONS
100 JAZZ
LESSONS

100 ROCK LESSONS
100 ROCK
LESSONS


100 FUNK/R&B LESSONS
100 FUNK/R&B
LESSONS

AFRO-CUBAN SLAP BASS LINES
AFRO-CUBAN
SLAP BASS LINES

BASS TAB WHITE PAGES
BASS TAB
WHITE PAGES

BASS STANDARDS
BASS
STANDARDS

BERKLEE PRACTICE METHOD: BASS
BERKLEE PRACTICE
METHOD: BASS
MAMBOS FOR THE SALSA AND LATIN JAZZ HORN SECTION
MAMBOS FOR
THE SALSA AND
LATIN JAZZ
HORN SECTION
-EBOOK/PDF-


THE BASSIST's GUIDE TO INJURY MANAGEMENT
THE BASSIST'S GUIDE
TO INJURY
MANAGEMENT
-EBOOK/PDF VERSION-

SIGHT READING FUNK RHYTHMS
SIGHT READING
FUNK RHYTHMS

OTEIL BURBRIDGE
OTEIL
BURBRIDGE
-DVD-


CLASSICAL MASTERPIECES FOR ELECTRIC BASS, VOL I
CLASSICAL
MASTERPIECES
FOR
ELECTRIC BASS
VOL. I
-EBOOK/PDF VERSION-
CLASSICAL MASTERPIECES FOR ELECTRIC BASS, VOL II
CLASSICAL
MASTERPIECES
FOR
ELECTRIC BASS
VOL. II
-EBOOK/PDF VERSION-

THE SCOTT LAFARO BOOK
THE SCOTT
LAFARO BOOK


HOW THE FENDER BASS CHANGED THE WORLD
HOW THE
FENDER BASS
CHANGED
THE WORLD


STEVE HARRIS: THE BEAST OF THE BASS
STEVE HARRIS:
THE BEAST OF
THE BASS
-EBOOK/PDF VERSION-

FRETBOARD ALCHEMY
FRETBOARD
ALCHEMY
-EBOOK/PDF VERSION-

KEITH FERGUSON: TEXAS BLUES BASS
KEITH
FERGUSON:
TEXAS BLUES
BASS
EDLY'S MUSIC THEORY FOR PRACTICAL PEOPLE
EDLY'S MUSIC
THEORY FOR
PRACTICAL
PEOPLE


ESSENTIAL STYLES FOR THE DRUMMER AND BASSIST, BOOK ONE
ESSSENTIAL
STYLES FOR
THE DRUMMER
AND BASSIST,
BOOK ONE

ESSENTIAL STYLES FOR THE DRUMMER AND BASSIST, BOOK TWO
ESSENTIAL
STYLES FOR
THE DRUMMER
AND BASSIST,
BOOK TWO
KEY RETENTION BUILDER
KEY RETENTION
BUILDER


JAZZ MUSICIAN'S GUIDE
JAZZ MUSICIAN'S
GUIDE TO
CREATIVE
PRACTICING

THE FUNKMASTERS
THE FUNKMASTERS:
THE GREAT
JAMES BROWN
RHYTHM SECTIONS

MUY CALIENTE!
MUY CALIENTE!
AFRO-CUBAN
PLAY-ALONG

THE FINGER FUNK WORKBOOK, VOL 1
THE FINGER
FUNK WORKBOOK,
VOL. 1


SLAM STEWART
SLAM STEWART:
134 ARCO SOLOS
FOR THE
DOUBLE BASS

CONCEPTS FOR BASS SOLOING
CONCEPTS
FOR BASS
SOLOING
JAMIROQUAI BASS BOOK
THE JAMIROQUAI
BASS BOOK

NEW PROJECT: THE 20 GREATEST BASS LINES

20 GREATEST BASS LINES OF ALL TIME
HELP US CHOOSE!

We're asking the Bass community to tell us the 20 GREATEST BASS LINES OF ALL TIME for an upcoming book of transcriptions.

Click here for full details and to send in your vote!

QUOTE -- UNQUOTE

"The worst thing I could be thinking is how could I be a cool bass player."
--Mike Gordon

"It's the bass that makes them dance."
--Darcy Wright

"Guitar is for the head, drums are for the chest, but bass gets you in the groin."
--Suzi Quatro

"Learn to read your ass off. Seriously. There's no upside to being uninformed."
--Stu Hamm

"Black Sabbath was written on bass. I just walked into the studio and went, bah, bah, bah, and everybody joined in and we just did it."
--Geezer Butler

EBOOKS

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