STEVIE WONDER: SHOO-BE-DOO-BE-DOO-DA-DAY - EBOOK/PDF VERSION
STEVIE WONDER: SHOO-BE-DOO-BE-DOO-DA-DAY - EBOOK/PDF VERSION
This transcription for James Jamerson's bass line includes accurate note-for-note transcription written in standard notation and TAB. Includes chords. 6 pages.
Product Code: EB001
Format: eBook (pdf)
Artist/Author: Stevie Wonder (James Jamerson), arranged by Eric Beaule
Publisher/Distributor: Eric Beaule
US$3.95

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This transcription for James Jamerson's bass line includes accurate note-for-note transcription written in standard notation and TAB. Includes chords. 6 pages.

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As an electric, acoustic bassist and composer, I believe technique is the channel for us to express feelings and musical ideas on the bass. I've came across many artistic bass players who compose amazing music, but their limited techniques inhibit them from creating the precise sounds they envisioned on their instrument, which prevents them from taking their music to the fullest potential. On the journey to improve my technique on bass, I noticed that accomplished bassists such as Jaco Pastorius and John Patitucci had been known to practice with Bach pieces. I started experimenting with Bach's styles, especially his cello suites, and I immediately saw that combinations derived from his melodic lines provide wider, deeper opportunities for improvements than pure mechanical exercises. They also enabled me to realize a more melodic approach toward music. Throughout my career I've been exposed to a variety of styles, ranging from Classical, Jazz, R&B, and Middle Eastern, and Bach's cello suites have always the foundation of my technique and musicality. They are the inspiration for me to compose etudes for fellow electric and acoustic bassists, for me to share Baroque's magic. In this book, all the etudes are written to maximize electric and acoustic bassist ability specifically. I hope that as you practice with the etudes you will not only build on technique but also gain a stronger sense of musicality. In this book, I present you the way to become a bass virtuoso. Written in standard notation (no TAB). 30 Pages and 14 MP3 files.
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Welcome to this collection of James Jamerson transcriptions. There’s also some bonus Motown transcriptions at the end of the book too - including the Bob Babbitt line on Band Of Gold and Stevie Wonder’s awesome keyboard bass line on Isn’t She Lovely.

Now Jamerson’s work has become widely appreciated thanks to Allan Slutsky’s groundbreaking book ‘Standing In The Shadow Of Motowns.’ And whilst that book presents around 50 or so transcriptions - either complete songs, or song fragments - that is barely scratching the surface of Jamerson’s prodigious output. So over the years I’ve been trying to fill in some of the massive holes that exist in the transcribing of the body of work that Jamerson left behind. Some of these transcriptions are relatively easy - and some are infernally difficult! One of the great things about Jamerson’s musical genius is that the study of even the simpler lines can often be rewarding in terms of getting further understanding of how Jamerson created these bass lines. The transcriptions themselves are a compilation of material that mostly appeared in my weekly subscription magazine First Bass And Beyond. This includes accurate note-for-note transcription, one written in standard notation and TAB, and the other in just standard notation. 242 pages altogether.
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