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WHAT DUCK DONE - NEW SECOND EDITION
What he "Done" was provide the bottom on countless classic recordings, not only with the M.G.'s, with whom he backed many of the artists on the Stax/Volt and
Atlantic labels, but with many others, including Muddy Waters, Freddie King, Elvis Presley, Jerry Lee Lewis, Bill Withers, Leon Russell, Roy Buchanan, Levon Helm's RCO
All-Stars, Peter Frampton, Rod Stewart, Eddie Harris, Herbie Mann, Robert Palmer, Stevie Nicks & Tom Petty, Eric Clapton, and Neil Young to name a few. 111 pages and 2 audio CDs. Written in standard notation and TAB.
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US$26.95
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SAMPLES FROM THIS TITLE
The samples are in pdf format and require Adobe Acrobat Reader to be installed.
Click Here for Table of Contents
Click Here for Sample #1
Click Here for Sample #2
TITLE INCLUDES THE FOLLOWING SONGS
You Don't Miss Your Water
She Caught the Katy
Heads or Tails
Hip-Hug-Her
Time is Tight
But It's Alright
Knock on Wood
634-5789
Born Under A Bad Sign
Crosscut Saw
Don't Bother Me
You're Gonna Need Me
Going Down
Key To The Highway
Grab This Thing
(In The) Midnight Hour
Ninety-One And One-Half (Won't Do)
Funky Broadway
634-5789 (Soulsville, USA)
(Sittin On) The Dock Of The Bay
I Can't Turn You Loose
Mr. Pitiful
Respect
May I Baby
Soul Man
Wrap It Up
You Don't Know Like I Know
Who's Making Love
B-A-B-Y
Let Me Be Good To You
Boom Boom
Walking The Dog
Sugar Sweet
Walkin' Thru The Park
What he "Done" was provide the bottom on countless classic recordings, not only with the M.G.'s, with whom he backed many of the artists on the Stax/Volt and
Atlantic labels, but with many others, including Muddy Waters, Freddie King, Elvis Presley, Jerry Lee Lewis, Bill Withers, Leon Russell, Roy Buchanan, Levon Helm's RCO
All-Stars, Peter Frampton, Rod Stewart, Eddie Harris, Herbie Mann, Robert Palmer, Stevie Nicks & Tom Petty, Eric Clapton, and Neil Young to name a few. 111 pages and 2 audio CDs. Written in standard notation and TAB.
I've attempted to compile a cross-section of Duck's work, mostly of his work at Stax and some for the above mentioned artists, as well. Some of these transcriptions are
rather lengthy so that the reader may more fully understand Duck's playing style, since he often does not repeat himself as he plays through an arrangement. As with
any book of this nature, the reader is encouraged to study these recordings, but, more importantly, enjoy them.
Duck and the soulful and economical sound of the M.G.'s have left an indelible imprint on the sound of popular music and should be an inspiration to rhythm sections
everywhere. Fortunately, Duck still remains active touring and recording. He can be heard with artists such as the Blues Brothers, Neil Young and Booker T. &
the M.G.'s. Hopefully, we'll be hearing Duck's unmistakable sound and feel for years to come.
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