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EXPOSED: SOLO MUSIC FOR UNACCOMPANIED ELECTRIC BASS
Exposed: Solo Music for Unaccompanied Electric Bass features transcriptions of 4 solo bass pieces from Chuck Bianchi’s CD Dreaming Out Loud. The Compositions explore the use of two-handed tapping, harmonics, chords, altered tunings and other “alternative” techniques. It is complete, written in standard notation and TAB, and includes performance notes for each piece. Spiral bound. 40 pages.
This title is available in eBook (adobe pdf) format here.

Product Code: IND056
Format: Book & MP3 (download) Package
Artist/Author: Chuck Bianchi
Publisher/Distributor: Chuck Bianchi

US$27.95


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SAMPLES FROM THIS TITLE
The samples are in pdf format and require Adobe Acrobat Reader to be installed.
Click Here for Table of Contents
Sample #1 - December
Sample #2 - Campfires in the Sky
Sample #3 - Imaginary Day

THE AUDIO (MP3) FILES ARE NOW AVAILABLE FOR DOWNLOAD. THE DOWNLOAD PROVIDED IS A LARGE ZIP FILE, INCLUDING THE CORRESPONDING MP3 FILES. THE ZIP FILE IS ALMOST 28MB (DUE TO THE SIZE OF THE MP3 FILES) AND IS BEST DOWNLOADED USING A HIGH SPEED INTERNET CONNECTION.

UPON COMPLETION OF THE ORDER, YOU WILL BE PROVIDED WITH A LINK TO DOWNLOAD THE FILE. IF YOU EXPERIENCE ANY PROBLEMS DOWNLOADING AND/OR ACCESSING THE TITLE AFTER COMPLETING YOUR ORDER, PLEASE CONTACT US FOR ASSISTANCE.

The idea of solo bass is still fairly new. And although there are many more bass players writing music for solo bass, (thanks to the influence of players such as Michael Manring and Victor Wooten), I feel that there is still a shortage of transcribed music available. When I first began getting into playing solo bass one of the biggest challenges I encountered was finding transcribed music to learn. Usually I was forced into arranging music that was meant for cello, piano, guitar or other instruments. This was great learning experience, but I am a bass player and wanted to play music that was intended for my instrument. Over the past few years I received many requests for transcriptions of my solo pieces and was encouraged to publish this book. The songs transcribed explore the use of two-handed tapping, harmonics, chords, altered tunings, counterpoint and other “alternative” techniques. It is complete with standard notation, tablature and performance notes for each piece.

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