BEST PLACE TO BUY BASS GUITAR BOOKS AND MUSIC
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| THE CATEGORIES Here is our library arranged by subject matter. Browse the "shelves" and find what resonates for you. SKILLS DEVELOPMENT
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BEGINNERS / BANDS / ARTISTS EBOOKS / TRANSCRIPTIONS BASSBOOKS.COM EXCLUSIVES |
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ESSENTIAL SECRETS |
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| SECRET 81: DEFINE SUCCESS Knowing What Matters to You Everyone knows what success is. Success is when you succeed! However, only you can define what success means for you. Feelings of success are highly personal, and you should develop your own definition of success so you know when you achieve it. In general, there are two ways to choose your definition of musical success: 1. Using external cues like a reviewer’s opinion about your performance or the amount you were paid for a gig. 2. Focusing on internal benchmarks that other people may not even recognize, such as mastering a particular piece of music or developing a new technique that lets you be more expressive. The external signs of success are public and easier to see, but the internal have more meaning. The main difference between these two is who decides when you’re successful. (Read more) SECRET 82: RECORD YOURSELF The Power of Objective Listening As a practicing musician you are expected to do the impossible. While playing, you are supposed to listen carefully to identify everything that needs improvement. Unfortunately, it is extremely difficult to play bass and listen to yourself at the same time. Trying to critique your sound as you create it is distracting and lessens your ability to play your best in the first place! What’s more, musicians are often inaccurate when they assess their own playing. You might think that a run-through went well because it felt good to play, regardless of the actual sound produced. Similarly, performers who struggle through a few sections often report that the run-through went badly—even if they played beautifully. These subjective judgments give you an unclear picture of the true quality of your bass playing. If you want to save enormous amounts of time in the practice room, don’t evaluate yourself as you play. Instead, record a run-through. Do not judge or criticize your performance as you create it. (Read more) See all ESSENTIAL SECRETS published to date on our BLOG See all our DAVID MOTTO titles |
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ONLINE CLINIC WITH JAIME DAVID VAZQUEZ
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BassBooks.com offers a vast collection of videos, lessons and transcriptions, absolutely free, for the benefit of the bass-playing community.
Click here to see all Free Stuff available.
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Here's what we have added to the Free Stuff library this month:
ERIC BEAULÉ www.PlayBassLines.com |
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| This transcription is compliments of Eric Beaulé, at www.PlayBassLines.com, author of several titles we carry. Bass Transcription of a Chord Tone Exercise in C Dominant 7th Here's a fun and challenging exercise to help build fluency and unveil new patterns on your bass neck. It will teach you where all these chord tones are and help you internalize the sound of the chord. |
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JAIME DAVID VAZQUEZ www.jaimedavidvazquez.com |
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| BASS TIPS: Emphasizing Key Scale Tones Jaime explains how to know which notes within a scale are the most important for the playing of the moment. |
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MIKE OVERLY www.basstruth.com |
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| Reason vs. Purpose In this lesson Mike Overly, GRAMMY® nominated music educator and author of Bass EncycloMedia, explores another key distinction.. |
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JOHN FALSTROM www.EADG4.com |
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| EADG 4: Part 6 Bass Gear and Effects Pedals John Falstrom, author of EADG 4, shares his thoughts on basses, amps and effects pedals. |
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BASS BOOKS for all reasons
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THE COMPLETE BEATLES, JAMES JAMERSON and more: See the new bass transcriptions and other news in the latest issue of our free email newsletter. |
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